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Translated by W. Moore and H. A. Wilson
St Gregory of Nyssa Resources Online and in Print
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70 Pages
Page 51
8. Next He makes a slight addition to the power, and when the nobleman's son lies in acknowledged danger of death (for so the history tells us, that he was about to die, as his father cried, "come down, ere my child die [1715] "), He again brings about the resurrection of one who was believed about to die; accomplishing the miracle with a greater act of power in that He did not even approach the place, but sent life from afar off by the force of His command.
9. Once more in what follows He ascends to higher wonders. For having set out on His way to the ruler of the synagogue's daughter, he voluntarily made a halt in His way, while making public the secret cure of the woman with an issue of blood, that in this time death might overcome the sick. When, then, the soul had just been parted from the body, and those who were wailing over the sorrow were making a tumult with their mournful cries, He raises the damsel to life again, as if from sleep, by His word of command, leading on human weakness, by a sort of path and sequence, to greater things.
10. Still in addition to these acts He exceeds them in wonder, and by a more exalted act of power prepares for men the way of faith in the resurrection. The Scripture tells us of a city called Nain in Judaea: a widow there had an only child, no longer a child in the sense of being among boys, but already passing from childhood to man's estate: the narrative calls him "a young man." The story conveys much in few words: the very recital is a real lamentation: the dead man's mother, it says, "was a widow." See you the weight of her misfortune, how the text briefly sets out the tragedy of her suffering? for what does the phrase mean? that she had no more hope of bearing sons, to cure the loss she had just sustained in him who had departed; for the woman was a widow: she had not in her power to look to another instead of to him who was gone; for he was her only child; and how great a grief is here expressed any one may easily see who is not an utter stranger to natural feeling. Him alone she had known in travail, him alone she had nursed at her breast; he alone made her table cheerful, he alone was the cause of brightness in her home, in play, in work, in learning, in gaiety, at processions, at sports, at gatherings of youth; he alone was all that is sweet and precious in a mother's eyes. Now at the age of marriage, he was the stock of her race, the shoot of its succession, the staff of her old age. Moreover, even the additional detail of his time of life is another lament: for he who speaks of him as "a young man" tells of the flower of his faded beauty, speaks of him as just covering his face with down, not yet with a full thick beard, but still bright with the beauty of his cheeks. What then, think you, were his mother's sorrows for him? how would her heart be consumed as it were with a flame; how bitterly would she prolong her lament over him, embracing the corpse as it lay before her, lengthening out her mourning for him as far as possible, so as not to hasten the funeral of the dead, but to have her fill of sorrow! Nor does the narrative pass this by: for Jesus "when He saw her," it says, "had compassion"; "and He came and touched the bier; and they that bare him stood still;" and He said to the dead, "Young man, I say unto thee, arise [1716] ," "and He delivered him to his mother" alive. Observe that no short time had intervened since the dead man had entered upon that state, he was all but laid in the tomb; the miracle wrought by the Lord is greater, though the command is the same.
[1715] S. John iv. 49
[1716] Cf. S. Luke vii. 13-15.
Reference address : https://elpenor.org/nyssa/making-man.asp?pg=51
